Reblogging in honor of the Criterion release that just showed up in the mail. It’s a brighter spring day indeed!
(Dir. Edward Yang, Taiwan, 1991)
Lost in the World
A strong case could be made for Edward Yang’s A Brighter Summer Day as the quintessential Taiwanese film as it’s concerned with the residual effects of the events that shaped this modern nation state in the wake of a severe split with its motherland. Yang’s film documents this crucial period in Taiwan’s history from the perspective of the next generation. The year is 1960, and political dissidents who fled mainland China in 1949 are now raising their children on this foreign island. Yang devotes some time to these aging individuals who still must cope with that jarring displacement, but he primarily focuses on Taipei’s youth – born into exile and forced to adapt despite their parents’ recurring pitfalls. It is no surprise, then, that Yang suggests these teens turn to street gangs to find their identity and Western pop culture to…
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